Category: street life

601 BRODERICK: NOSTALGIA AND AMNESIA

601 Broderick in 2012

601 Broderick Street at Grove in the heart of NoPa went on the market on October 10th for $5,875,000, 2 1/2 years after the foreclosed black church and fixer-upper was snatched up for 40% above asking at $1,401,000.  The open house offered valet service and sushi.   Curbed sf’s Tracy Elsen calls it “our absolute favorite flip of the year.”

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EICHLERS: FRONT DOOR TO A SUBLIMINAL SUBURBIA

With an enthusiasm for mid-century modernism sparked by his home renovation my brother engaged in a fantastically obsessive photo study of the front doors of homes in  Eichler housing tracts at FairhillsFairhaven and Fairmeadow in  LA and Orange counties as shown above.  Continue reading

STREET ART/STREET CRIME: PAINT IT WHITE DIVISADERO

Pictured here is not a new anti-graffiti effort by San Francisco’s Public Works Department.   As if the neighborhood hasn’t become white enough, Absolut Vodka has come to town with its artistic promotion of inebriation “Open Canvas” whitewashing San Francisco’s  Divisadero Corridor between Hayes and Grove to create a  blank canvas for the work of selected artists while providing the Vodka an advertisement in the form of a news eventContinue reading

STREET ART / STREET CRIME

At San Francisco’s Vinyl Coffee and Wine Bar at Fell and Divisidero big bucks are paid for the Banksy-like work of Eddie Colla top and X’s “Thank you, Andy” at right.  The art successfully gives Vinyl some insider street cred in a traffic-challenged location.

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BARRY McGEE: ARTIST AND VANDAL

Last summer’s trip to Berlin, City of Graffiti, has us thinking about the lively yet criminal place of graffiti in the community.   The Berkeley Arts Museum visits the subject  in Barry McGee’s exhibit of constructions, sketches and graffiti art closing December 9th, 2012.  The museum building itself  is not to be missed, as it too is subject to closure as an art museum in 2015 as a result of ever-stiffening seismic requirements anxiously awaiting the arrival of the Big One.  Meanwhile, the building’s impending loss as a dramatic and now-unrepeatable gallery space is a tragic and crushing blow.

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